NYT > Home Page: Super Bowl — Power Failure Delays Game

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Super Bowl — Power Failure Delays Game
Feb 4th 2013, 04:10

Doug Mills/The New York Times

A security guard Sunday during the power failure at the Super Dome in New Orleans, with the emergency lights on.

NEW ORLEANS — It was not New Orleans's brightest moment. About 90 seconds into the second half of Sunday's Super Bowl, the lights on one half of the Superdome's roof suddenly went out. Internet connections in the press box were cut, and the scoreboards went dark.

San Francisco 49ers quarterback Colin Kaepernick on the field during the power failure. He later led the Niners back from a 28-6 deficit.

After the sudden break in the action, many of the 71,024 fans started murmuring. The public-address announcer made several muffled statements about the power failure. Strangely, the cheerleaders for the San Francisco 49ers and the Baltimore Ravens continued to shake their pompoms.

The roughly 35-minute power failure, which came just moments after the Ravens' Jacoby Jones returned the second-half kickoff 108 yards for a touchdown, was one of the oddest moments in Super Bowl history.

In choosing New Orleans to host the game, the N.F.L. wanted to signal that the city was back in business after Hurricane Katrina in 2005. The Superdome, which was turned into an emergency shelter after the storm, had been overhauled and rebranded through to a sponsorship deal with Mercedes-Benz.

The blackout is certain to add to the legend of the Superdome. Some New Orleans residents believe the building is cursed because it was built near the old Girod Street Cemetery, which had fallen into disrepair. Some Saints fans believe this is why their team was unsuccessful for so long.

Either way, the N.F.L., which runs the Super Bowl with an iron hand and brutal efficiency, is not used to random events during games, which are tightly scripted for television networks and the hundreds of millions of viewers at home. Two years ago, hundreds of fans were denied entry to the game in Arlington, Tex., because temporary stands were not safe. Weather has been unpredictable over the years, but rarely are games delayed for anything more than the occasional hiccup.

Michael Burns, a spokesman for Entergy Services, the local utility, said that his company's distribution and transmission feeders that serve the Superdome were never interrupted. Power did not go out elsewhere in the city.

CBS, which broadcast the game, said in a statement that it had "lost numerous cameras and some audio powered by sources in the Superdome." The network switched to backup power and remained on the air. CBS said it would honor all its commercial commitments.

Entergy and SMG, the company that manages the Superdome, issued a joint statement explaining the power loss:

"A piece of equipment that is designed to monitor electrical load sensed an abnormality in the system. Once the issue was detected, the sensing equipment operated as designed and opened a breaker, causing power to be partially cut to the Superdome in order to isolate the issue. Backup generators kicked in immediately as designed.

"Entergy and SMG subsequently coordinated start-up procedures, ensuring that full power was safely restored to the Superdome. The fault-sensing equipment activated where the Superdome equipment intersects with Entergy's feed into the facility. There were no additional issues detected. Entergy and SMG will continue to investigate the root cause of the abnormality."

The power failure immediately spawned an Internet frenzy. Bobby Hebert, a former Saints quarterback, called the game the Power Outage Bowl on Twitter. One enterprising fan created the hashtag, SuperBowlBlackOut, on Twitter.

Patrick Rishe, a columnist for Forbes, said the blackout would hurt New Orleans's chances of hosting another Super Bowl, although Mayor Mitch Landrieu quickly engaged in a bit of damage control, issuing a statement.

"The power outage was an unfortunate moment in what has been an otherwise shining Super Bowl week for the City of New Orleans," Landrieu's statement said "In the coming days, I expect a full after action report from all parties involved. For us, the Super Bowl isn't over until the last visitor leaves town, so we're focused on continuing to show our visitors a good time."

Indicative of the lopsided score at the time — the Ravens were ahead, 28-6, when the lights went out — the Ravens' sideline remained bathed in light while the 49ers were in the shadows.

In the Superdome, the unexpected blackout led to several quick decisions. The players could have gone to their locker rooms, but they chose to stay on the field. Many of them stretched on the ground and tossed footballs to stay limber. A few looked as if they were relaxing on a park lawn.

"It was the first time I had to stretch in the dark with my teammates," Bernard Pollard of the Ravens joked. His teammate Cary Williams said with a smile that he thought Beyoncé, who sang at halftime, "blew out the power."

Confused fans who had been watching the 49ers try to forge a comeback started doing the wave. A number of them started screaming for the players to start playing again. As each bank of lights popped back on, the players put their helmets back on and worked out in earnest. The crowd roared as the stadium gradually brightened, and the air conditioning started blowing again, too.

"I just alerted them of the time and to stay loose, and our spark would come and we wouldn't look back," said Jim Harbaugh, the 49ers' coach, recounting what he told his team during the delay.

The break in the action may have been just what the 49ers needed. After the lights came back on, they scored 17 straight points.

After 35 minutes in the dark, a game in danger of turning into a blowout had suddenly been given a jolt.

A version of this article appeared in print on February 4, 2013, on page D4 of the New York edition with the headline: Power Failure Delays Game Before 49ers Make Charge .

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NYT > Home Page: Super Bowl XLVII: Ravens 34, 49ers 31: Ravens Beat 49ers in Super Bowl After Lights Go Out

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Super Bowl XLVII: Ravens 34, 49ers 31: Ravens Beat 49ers in Super Bowl After Lights Go Out
Feb 4th 2013, 05:07

Jed Jacobsohn for The New York Times

Anquan Boldin's touchdown reception in the first quarter put the Ravens ahead, 7-0, in the Super Bowl on Sunday. The Ravens went on to a 21-6 halftime lead and held on to win.

NEW ORLEANS — The lights went out at the Superdome during the Super Bowl. Only then did the game really begin.

In a sporting event that has had spectacular finishes as well as an infamous wardrobe malfunction during a halftime performance, the electricity at the Superdome stole the show on Sunday night, interrupting the third quarter for more than a half-hour and seemingly shifting the momentum of the game in a dramatic way.

Moments after the Ravens' Jacoby Jones returned the opening kickoff of the second half 108 yards for a touchdown, giving Baltimore a 22-point lead, the stadium's power failed. That plunged the teams, the 71,024 fans in attendance and millions of television viewers into low light and raised the sort of question that sports fans love to ponder: how might such a weird interruption affect the game?

After 34 minutes in which players stretched, fans did the wave and Ravens Coach John Harbaugh screamed at a league official in a suit, play resumed, and the teams had their answer. The energy had leaked out of the Ravens during the unexpected break, allowing the San Francisco 49ers to surge to within 2 points, but Baltimore held on for a 34-31 victory.

It was the first Super Bowl in New Orleans since Hurricane Katrina turned the Superdome into a shelter instead of a stadium, and the first time brothers opposed each other in the game as coaches. Jim Harbaugh, who at 49 is a year younger than John, saw his 49ers come up short on a last-minute drive inside the Ravens 10-yard line.

"How could it be any other way?" John Harbaugh said after the Ravens had captured their second Super Bowl title. "It's never pretty. It's never perfect. But it is us."

When they were growing up, the Harbaugh brothers learned about coaching by watching their father. From their mother, though, they learned something that might help them on the day after the Super Bowl: always have your brother's back.

When they met at midfield as the confetti fell for John's team, Jim patted his older brother on the cheek. "I love you," John said, not smiling. "Good job."

Future Harbaugh family gatherings will have plenty of material for conversation.

The Ravens dominated the first half, with quarterback Joe Flacco, who was named the game's most valuable player, nimbly escaping pressure to throw three touchdown passes, including a 56-yarder to Jones on third-and-10. On that play, Jones fell when he caught the ball at about the 9-yard line, got up and outsprinted the 49ers' defense to the end zone.

After the 49ers settled for a short field goal at the end of the first half and Jones opened the second half with his touchdown return, it appeared the Ravens would cruise to victory, a triumph of the older brother who had long been overshadowed athletically by his younger sibling. No team had ever overcome a deficit of more than 10 points to win the Super Bowl.

But the 49ers have been slow to start throughout the postseason, gaining energy as gradually as the stadium lights did. This was the third straight playoff game in which the 49ers' opponent scored first, and the long game delay seemed to steal the Ravens' momentum and give the 49ers a few minutes to regroup from the shock of Jones's return. They had experience with this, after all. The power had gone out at Candlestick Park, their home stadium, last season during a game against the Pittsburgh Steelers. The 49ers won that game.

Colin Kaepernick threw to Michael Crabtree for the 49ers' first touchdown. When running back Frank Gore ran around the right side for another touchdown, the Ravens appeared flatfooted. Then Ravens running back Ray Rice fumbled after a short catch, and the 49ers recovered.

The Ravens continued to hurt themselves, committing a penalty on 49ers kicker David Akers — on a field-goal attempt that he missed wide left, giving Akers another chance. Akers drilled the field goal on the second try and the deficit, 5 points, suddenly felt like a lead.

Kaepernick had recovered as surely as his team had. He had appeared shaky in the first half, and he was intercepted once by Ed Reed — the first time a 49ers quarterback had been intercepted in Super Bowl history.

But the Ravens were resilient, again. They had begun the season well, positioning themselves for a playoff spot before their offense sputtered so severely that they lost four of their last five games of the regular season. In the midst of that slide, John Harbaugh fired his offensive coordinator and replaced him with Jim Caldwell. He engineered the powerful offensive efforts that had allowed the Ravens to outgun the Colts, the Broncos and the Patriots — and their three star quarterbacks — in the playoffs.

So when the Ravens got the ball back after the 49ers' onslaught, they went on a long methodical drive that gave their aging defense a chance to catch its breath and, after a 19-yard field goal, gave the Ravens an 8-point edge.

Then Kaepernick used his legs, sprinting 15 yards for a touchdown. But with 9 minutes 57 seconds left in the game, Jim Harbaugh opted to try for a 2-point conversion to tie the score. With a running quarterback in Kaepernick, and Frank Gore lined up beside him, the 49ers tried to pass for the 2 points. Kaepernick had to hurry, and he threw the ball wildly away, leaving the 49ers down by 2 points.

The Ravens kicked another field goal, this one 38 yards, that gave them a 5-point lead. Players from both teams later insisted that the power delay had little to do with the game, but that seemed implausible. The Ravens had nearly collapsed, and only a wayward Kaepernick pass on fourth down under intense pressure with less than two minutes remaining saved the Ravens from ignominy.

"It was like the whole season," Reed, a native of the New Orleans area, said. "It started good. It got ugly. It ended great."

When the seconds had finally ticked away, the large strobe lights behind the benches beamed bright. They illuminated the sparkling confetti and a Ravens championship as unlikely as the night on which it was won.

A version of this article appeared in print on February 4, 2013, on page A1 of the New York edition with the headline: Power Fails and 49ers Surge, But Ravens Win Super Bowl .

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NYT > Home Page: Beyoncé Brings Intensity to Halftime Show, Silencing Doubters

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Beyoncé Brings Intensity to Halftime Show, Silencing Doubters
Feb 4th 2013, 05:12

A main requirement for a halftime performer at the Super Bowl is indestructibility. Too much is on the line for anything but. The halftime show is time-constrained, highly choreographed and responsible for keeping hundreds of millions of people around the world entertained between aggressive bursts of football and extremely expensive bursts of commercials. It is a show, but more important, it is the glue that holds the night together, the short money that keeps the long money flowing.

Beyoncé opened her halftime performance with a serious tone, singing her hit "Love on Top." Her voice was fierce and powerful for "Crazy in Love."

But there was no way to anticipate that the reliably malfunction-free Beyoncé arriving in New Orleans for her turn at immortality would be a vulnerable one. At the presidential inauguration ceremony last month, she sang the national anthem over a prerecorded vocal track, leading to a minor scandal, putting her on the defensive. Beyoncé, bionic, isn't used to having her reputation impugned. Vulnerability is not her bag,

She is, though, up to the challenge — in this case, the conundrum of how to make her Super Bowl XLVII halftime show, which she had been planning for months, not only a spectacle in its own right, but also a conclusion to the messy affair.

And so for 12 or so minutes at the center of the Superdome field on Sunday night, she balanced explosions and humanity, imperiousness with warmth, an arena-ready sense of scale with a microscopic approach to the details of her vocals. Amid all the loudness were small things to indicate Beyoncé was answering her skeptics, quietly but effectively.

First, there was the voice, or rather, the myriad voices. After emerging on stage accompanied by a Vince Lombardi speech — "The spirit, the will to win and the will to excel, these are the things that endure," and so on — she played with "Love on Top" like Play-Doh, stretching out some parts, tearing off little bits here and there, switching from fast to slow, all more or less a cappella.

At the end of "Crazy in Love," she was virtually growling, giving that song a ferocity it has never before had. During "Baby Boy," she maniacally screamed "dutty wine!" over and over again, and on "Single Ladies (Put a Ring on It)," her voice turned grimy, burrowing into primal Bessie Smith territory.

What's more, she filled the television screen, a human pneumatic drill of intensity, constantly bouncing and whirring. This is part of what set her apart from some past performers, whose songs were big enough, but whose attitude and presentation weren't. At the beginning of "Crazy in Love," she dropped to one knee, then sprawled on her back, continuing her choreography for the cameras in the sky.

She opened "End of Time" with ferocious stomping, flailed madly during "Single Ladies" and, during "Baby Boy," was accompanied by a screen full of Beyoncés, arranged in careful placement like a Vanessa Beecroft installation.

Beyoncé's image-restoration campaign actually began days before the game. On Instagram and Tumblr, she posted photos of casual moments between what were certainly strenuous rehearsals, including one in which she wore a sweatshirt that read "Can I live?" On Thursday, she divebombed into her official news conference with a sterling rendition of the national anthem, for which she made the accumulated reporters and photographers stand at attention and which she concluded with the primo dirt-off-her-shoulder taunt, "Any questions?" (Maybe just one. Regarding the inauguration, one brave, or comic, journalist asked, "Did any sound come out of your vocal cords?")

These are Beyoncé's little pokes. She's not the sort to resort to vulgarity, or subversion, or insubordination. She retaliates with intensity and fervor, and the sort of wink that doesn't invite a reply.

Her show was never going to be scandalous, even if a scandal was hovering over it. Certainly she would never be as risqué as Prince, who played in 2007, and who she said was her favorite halftime performer in an interview with the NFL Network. She would never risk a malfunction, wardrobe or otherwise, that would recall the Janet Jackson-Justin Timberlake imbroglio of 2004.

(That year, Beyoncé happened to sing the national anthem at the Super Bowl in her native Houston, when Destiny's Child was still a going concern, and she had yet to arrive fully into her mojo.)

The most uncertainty she allowed was the will-they-or-won't-they chatter about a Destiny's Child reunion during her set, although by showtime, it was clear it was happening. Late in her set, Beyoncé was joined by Kelly Rowland and Michelle Williams, her former sidekicks, for snippets of "Bootylicious" and "Independent Women Part I."

Rowland and Williams then helped Beyoncé out on "Single Ladies."

This was not only an act of generosity to her former group mates, and a bone thrown to longtime fans, but also a tacit admission that Beyoncé's biggest hits as a solo artist — excluding "Single Ladies" and "Crazy in Love" — don't have the caffeinated quality that makes for great halftime entertainment.

Destiny's Child's best songs were their most energetic, and the pyrotechnics the threesome had — both in harmonies and in the actual fire surrounding them on stage — were impressive. (Thankfully, they skipped the deeply temperate "Nuclear," the first new Destiny's Child recording in eight years, which was released last month.)

After Rowland and Williams left the stage, Beyoncé brought the arena to a hush with "Halo," the ethereal ballad that closed her set.

Her voice sounded just a tad deflated here, but by design. After 10 minutes of extravaganza, she wanted to leave with something tactile.

Beyoncé the machine had made her point. This was proof of life.

A version of this article appeared in print on February 4, 2013, on page D8 of the New York edition with the headline: Beyoncé Silences Doubters With Intensity at Halftime .
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NYT > Home Page: 8 Dead in California Tour Bus Crash

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8 Dead in California Tour Bus Crash
Feb 4th 2013, 05:45

YUCAIPA, Calif. (AP) — A tour bus crashed with a pickup truck on a rural mountain highway in Southern California on Sunday night, killing eight people and injuring dozens of others, authorities said.

The collision happened around 6:30 p.m. and included the tour bus, a pickup truck pulling a trailer, and a sedan, said CHP Officer Mario Lopez. He confirmed late Sunday that eight people died and many more were injured in the mountain highway crash about 80 miles east of Los Angeles near the town of Forest Falls.

San Bernardino County Fire Department spokesman Eric Sherwin said 27 people were treated at the scene. He said injuries varied from minor to life-threatening.

People were being extricated from the bus more than an hour after the crash on a mountainous stretch of two-lane Highway 38, and rescuers were still searching the wreckage for victims hours later. Television footage showed the bus sitting upright but turned sideways on the road.

Sherwin did not know where the bus was headed or how the truck was involved. Highway 38 leads to Big Bear, a popular area that's home to a ski resort and other recreational locations.

At least seven ambulances were called to the scene, and patients were taken to several hospitals.

The injured were rushed to several area hospitals.

Arrowhead Regional Medical Center said four women had been admitted from the crash and their conditions were still being determined. Redland Community Hospital said it received one person in critical condition and one with minor injuries, while two more were en route with minor injuries. Community Hospital of San Bernardino said it had received one patient with undetermined injuries, while St. Bernadine Medical Center said it had two patients, whose injuries were being assessed.

The California crash comes less than a day after a bus carrying 42 high school students and their chaperones slammed into an overpass in Boston. Massachusetts state police said 35 people were injured and that the driver had directed the bus onto a road with a height limit.

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NYT > Home Page: Oil Tax Forces Greeks to Fight Winter With Fire

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Oil Tax Forces Greeks to Fight Winter With Fire
Feb 4th 2013, 02:54

Angelos Tzortzinis for The New York Times

Workers cutting and stacking firewood for sale in Halandri, north of Athens. Demand has caused an increase in illegal logging, and trees have been reported stolen from parks in Athens.

ATHENS — Even in the leafy northern stretches of this city, home to luxury apartment buildings, mansions with swimming pools and tennis clubs, the smell of wood smoke lingers everywhere at night.

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Yiorgos Tsouvalakis feeding his wood stove in Nikaia, an Athens suburb, after Greece raised taxes on heating oil by 450 percent. One of the goals was to tax heating oil more like diesel fuel.

In her fourth-floor apartment here, Valy Pantelemidou, 37, a speech therapist, is, like many other Greeks, trying to save money on heating oil by using her fireplace to stay warm.

Unemployment is at a record high of 26.8 percent in Greece, and many people have had their salaries and pensions cut, but those are not the main reasons so few residents here can afford heating oil. In the fall, the Greek government raised the taxes on heating oil by 450 percent.

Overnight, the price of heating a small apartment for the winter shot up to about $1,900 from $1,300. "At the beginning of autumn, it was the biggest topic with all my friends: How are we going to heat our places?" said Ms. Pantelemidou, who has had to lower her fees to keep clients. "Now, when I am out walking the dog, I see people with bags picking up sticks. In this neighborhood, really."

In raising the taxes, government officials hoped not just to increase revenue but also to equalize taxes on heating oil and diesel, to cut down on the illegal practice of selling cheaper heating oil as diesel fuel. But the effort, which many Greeks dismiss as a cruel stupidity, appears to have backfired in more than one way.

For one thing, the government seems to be losing money on the measure. Many Greeks, like Ms. Pantelemidou, are simply not buying any heating oil this year. Sales in the last quarter of 2012 plunged 70 percent from a year earlier, according to official figures.

So while the government has collected more than $63 million in new tax revenue, it appears to have lost far more — about $190 million, according to an association of Greek oil suppliers — in revenue from sales taxes on the oil.

Meanwhile, many Greeks are suffering from the cold. In one recent survey by Epaminondas Panas, who leads the statistics department at the Athens University of Economics and Business, nearly 80 percent of respondents in northern Greece said they could not afford to heat their homes properly.

The return to wood burning is also taking a toll on the environment. Illegal logging in national parks is on the rise, and there are reports of late-night thefts of trees and limbs from city parks in Athens, including the disappearance of the olive tree planted where Plato is said to have gone to study in the shade.

At the same time, the smoke from the burning of wood — and often just about anything else that will catch fire — has caused spikes in air pollution that worry health officials. On some nights, the smog is clearly visible above Thessaloniki, Greece's second-largest city, and in Athens, where particulate matter has been measured at three times the normal levels.

"Places that in 2008 wouldn't even think about using their fireplaces for heating, now they are obliged to do so," said Stefanos Sabatakakis, a health supervisor with the Hellenic Center for Disease Control and Prevention. He said the rise in pollution could cause eye irritation and headaches in the short term and far more serious problems in the long term. The air is particularly bad for asthma sufferers.

The agency has asked that anyone who is lighting living-room fires just for the aesthetics give them up. It has also uploaded information on its Web site about what not to burn — anything that is painted or lacquered, for instance. But in these times, Mr. Sabatakakis acknowledged, people are not that picky.

Government officials say it is too early to judge the new tax. The winter is not yet over. It has not been particularly cold, they say, and many people may have stocked up on fuel oil last season. In the north of Greece, temperatures often dip to freezing at night, while in Athens they are more likely to stay in the low 40s.

"This is a very complex environment," said Harry Theoharis, the secretary general of the Ministry of Finance, adding that many factors were affecting people's behavior. "It is not easy to isolate and say: 'O.K., this tax, this is the effect it had.' "

He said there were no clear indications yet that the tax had discouraged illicit sales of heating oil as diesel, though he had detected a slight change in buying patterns that might indicate some change.

It is impossible not to notice the stacks of wood for sale all over Athens this year. Not far from Ms. Pantelemidou's place is a wood lot run by Valantis Topalis, 44, who used to own an interior design company. He started selling wood last year, eager to have a business that was not reliant on people paying their bills.

Last year, he made some money. But this year, he said, everybody is selling wood — some of it stolen from national parks — and business is not so good. Even in this wealthy area, a lot of the customers come in for only 20 euros, or $27, worth of wood on colder days.

"The worst part is not the lack of money," Mr. Topalis said of his life today. "The worst part today is the mood that people are in."

Those who can afford to, like Ms. Pantelemidou, are using a combination of their fireplaces and electric heaters, unsure what this will do to their electric bills. But that is likely to bring some unpleasant surprises, as the government recently announced an increase in the cost of electricity that, depending on consumption, could be as much as 20 percent.

Still, oil suppliers are glum about their prospects. Elias Bekkas, who provides oil to 65 buildings around the city, said that many of his clients had not ordered any oil, and that some who had could not pay the bill. Last winter, he said, his company sold a little more than a million gallons. This season, it has sold only about 65,000 gallons, and he doubted the total would get to 225,000.

Tenant meetings to decide whether to buy oil, he said, have gotten ugly. A year ago, two buildings covered the costs for people who could not pay. But this year there is only bickering.

"There is anger, bitterness between neighbors who can afford oil and those that cannot," Mr. Bekkas said. "That is what Greece is like now."

Hes said he had detected a third class of people as well this winter. "There are those who are just making a political statement," he said. "They are just angry about the taxes."

Ms. Pantelemidou, like many others in newer buildings, has a fireplace that was designed largely for decorative purposes. It hardly heats her living room, let alone the rest of her apartment. She has pulled a chair close to it so she can stay warm.

In a working-class area of town, Aggeliki and Christos Makris are also making do without heating oil. They bought their three-bedroom apartment in 2009, when they had a combined income of $63,400 for a family of five.

Since then, the salary of Mrs. Makris, 45, who works as a cleaner for the government has been cut to about $1,100 a month from $1,750 a month. Mr. Makris, 42, who runs heavy machinery at a mining company, lost all of his overtime. They are behind on their taxes and, after mortgage payments, living on less than $340 a week. To cut down on the electric bill, Mrs. Makris has even reduced the ironing she does.

Paying for heating oil was out of the question. This year, Mr. Makris went north to his village to cut firewood himself. He said no one in his building wanted to buy heating oil. "The super did not even bother to ask," said Mr. Makris. "We are all in debt."

The Makrises said they were at least lucky that they had made a good choice in upgrading the fireplace when they bought the apartment. It burns efficiently and warms much of their living space.

Mr. Makris said it was far worse for the pensioners he saw, who really need central heating and do not have the strength, the energy or the money to get good firewood. Instead, they pick up scraps of wood left on the street, whether it is painted or not.

"There is an old man I see at the market, and every week there is less and less in his grocery bag," he said. "I cannot blame him, no matter what garbage he burns."

Dimitris Bounias and Nikolia Apostolou contributed reporting.

A version of this article appeared in print on February 4, 2013, on page A1 of the New York edition with the headline: Rise in Oil Tax Forces Greeks To Face Cold as Ancients Did.

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NYT > Home Page: André Cassagnes Dies at 86; His Etch A Sketch Shook Up the Toy World

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André Cassagnes Dies at 86; His Etch A Sketch Shook Up the Toy World
Feb 4th 2013, 01:03

André Cassagnes, a French electrical technician who half a century ago invented Etch A Sketch, the mechanical drawing toy that has lately become an American political simile, died on Jan. 16 near Paris. He was 86.

André Cassagnes

The Ohio Art Company, which makes Etch A Sketch, announced the death.

A chance inspiration involving metal particles and the tip of a pencil led Mr. Cassagnes to develop Etch A Sketch in the late 1950s. First marketed in 1960, the toy — with its rectangular gray screen, red frame and two white knobs — quickly became one of the brightest stars in the constellation of midcentury childhood amusements that included Lincoln Logs and the Slinky.

Etch A Sketch was inducted into the National Toy Hall of Fame in Rochester in 1998; in 2003, the Toy Industry Association named it one of the hundred best toys of the 20th century. To date, more than 100 million have been sold.

The toy received renewed attention in March, amid the 2012 presidential campaign, after Eric Fehrnstrom, a senior adviser to Mitt Romney, described his boss's campaign strategy heading from the primaries into the general election thus:

"Everything changes," Mr. Fehrnstrom said. "It's almost like an Etch A Sketch. You can kind of shake it up and restart all over again."

The quotation, pilloried by Democrats and Republicans alike, was widely interpreted as an acknowledgment by the Romney campaign that its candidate had no fixed political ideology.

The complete eradicability of an Etch A Sketch drawing is born of the toy's simple, abiding technology.

The underside of the screen is coated with a fine aluminum powder. The knobs control a stylus hidden beneath the screen; turning them draws the stylus through the powder, scraping it off in vertical or horizontal lines that appear on the screen as if by magic. (An early French name for the toy was L'Écran Magique, "Magic Screen.")

To erase the image, the user shakes the toy, recoating the screen with aluminum; tiny plastic beads mixed with the powder keep it from clumping.

That is essentially all there is to an Etch A Sketch, and though the toy now comes in various sizes, shapes and colors, its inner workings have changed little since Mr. Cassagnes first touched a pencil to a powder-coated sheet on an otherwise ordinary day more than five decades ago.

André Cassagnes was born in 1926 outside Paris and as a boy worked in the bakery his parents owned. As a young man, he took a job as an electrical technician in a factory that made Lincrusta, a deeply embossed covering applied to walls and other surfaces to mimic sculptural bas-relief.

One day in the late '50s, as was widely reported afterward, Mr. Cassagnes was installing a light-switch plate at the factory. He peeled the translucent protective decal off the new plate, and happened to make some marks on it in pencil. He noticed that the marks became visible on the reverse side of the decal.

In making its faux finishes, the Lincrusta factory also used metallic powders; Mr. Cassagnes's pencil had raked visible lines through particles of powder, which clung naturally to the decal by means of an electrostatic charge.

Mr. Cassagnes spent the next few years perfecting his invention, which was introduced in 1959 at the Nuremberg Toy Fair. (Because the toy was patented by Arthur Granjean, an accountant working for one of Mr. Cassagnes's early investors, Mr. Granjean is sometimes erroneously credited as the inventor of Etch A Sketch.)

After Ohio Art acquired the rights to the toy for $25,000, Mr. Cassagnes worked with the company's chief engineer, Jerry Burger, to refine its design. Where Mr. Cassagnes's original had been operated with a joystick, the final version mimicked the look of the reigning household god of the day — the television set. It soon became the company's flagship product.

In later years, Mr. Cassagnes designed kites; by the 1980s, he was considered France's foremost maker of competition kites, which can perform elaborate aerial stunts.

Mr. Cassagnes's survivors include his wife, Renée, and three children, Sophie, Patrick and Jean Claude, according to European news accounts.

In the 1980s, Ohio Art introduced an electronic version of Etch A Sketch, which let users make animated drawings. But the mechanical version endures, buoyed by periodic appearances in movies like "Toy Story."

It has been taken up by fine artists, who, through planning, patience and extreme dexterity, have cajoled the device into rendering the Mona Lisa, Van Gogh's "Starry Night" and a spate of minutely detailed original images.

Ohio Art, which for decades manufactured Etch A Sketch at its home in Bryan, Ohio, moved production of the toy to China in late 2000. But in the wake of Mr. Fehrnstrom's comment last year, the company delivered an emblematically American response:

Though it continues to be made with its venerable red frame, Etch A Sketch now also comes in blue, for Democrats.

A version of this article appeared in print on February 4, 2013, on page B8 of the New York edition with the headline: André Cassagnes, Who Shook Up The Toy World, Is Dead at 86.
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NYT > Home Page: Obama Says Loopholes Could Factor in Budget Deal

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Obama Says Loopholes Could Factor in Budget Deal
Feb 4th 2013, 01:42

WASHINGTON — President Obama said in a televised interview on Sunday that he could foresee a budget deal in Congress that did not include further increases in tax rates but instead focused on eliminating loopholes and deductions.

Mr. Obama has generally insisted that all revenue options, including higher rates, should be considered to slow the rise of federal budget deficits. But in the interview with Scott Pelley of CBS News, he said, "I don't think the issue right now is raising rates."

Having just raised rates on people earning more than $450,000 a year, Mr. Obama said the focus now should be on targeted spending cuts and changes to the tax code, which he said favored the wealthy.

"Can we close some loopholes and deductions that folks who are well connected and have a lot of accountants and lawyers can take advantage of so they end up paying lower rates than a bus driver or a cop?" Mr. Obama said in the 10-minute interview in the White House.

"If you combine those things together," Mr. Obama said, a budget deal could reduce the deficit "without raising rates again."

Still, Mr. Obama did not rule out tax increases, saying, "There's no doubt we need additional revenue."

Republicans, having acquiesced to the tax increase in the year-end budget deal, are now insisting that further deficit reduction must come through spending cuts.

Budget experts say that to raise substantial revenue through loopholes and deductions, lawmakers would have to focus on deductions on mortgage interest payments and charitable donations.

Mr. Obama said the continuing fiscal crisis in Washington was to blame for the contraction in the nation's economy in the last quarter of 2012.

A version of this article appeared in print on February 4, 2013, on page A12 of the New York edition with the headline: Tax Loopholes May Be Next, Obama Says .

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NYT > Home Page: Broad Powers Seen for Obama in Cyberstrikes

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Broad Powers Seen for Obama in Cyberstrikes
Feb 4th 2013, 01:59

WASHINGTON — A secret legal review on the use of America's growing arsenal of cyberweapons has concluded that President Obama has the broad power to order a pre-emptive strike if the United States detects credible evidence of a major digital attack looming from abroad, according to officials involved in the review. 

That decision is among several reached in recent months as the administration moves, in the next few weeks, to approve the nation's first rules for how the military can defend, or retaliate, against a major cyberattack. New policies will also govern how the intelligence agencies can carry out searches of faraway computer networks for signs of potential attacks on the United States and, if the president approves, attack adversaries by injecting them with destructive code — even if there is no declared war.

The rules will be highly classified, just as those governing drone strikes have been closely held. John O. Brennan, Mr. Obama's chief counterterrorism adviser and his nominee to run the Central Intelligence Agency, played a central role in developing the administration's policies regarding both drones and cyberwarfare, the two newest and most politically sensitive weapons in the American arsenal.  

Cyberweaponry is the newest and perhaps most complex arms race under way. The Pentagon has created a new Cyber Command, and computer network warfare is one of the few parts of the military budget that is expected to grow. Officials said that the new cyberpolicies had been guided by a decade of evolution in counterterrorism policy, particularly on the division of authority between the military and the intelligence agencies in deploying cyberweapons. Officials spoke on condition of anonymity because they were not authorized to talk on the record.

Under current rules, the military can openly carry out counterterrorism missions in nations where the United States operates under the rules of war, like Afghanistan. But the intelligence agencies have the authority to carry out clandestine drone strikes and commando raids in places like Pakistan and Yemen, which are not declared war zones. The results have provoked wide protests.

Mr. Obama is known to have approved the use of cyberweapons only once, early in his presidency, when he ordered an escalating series of cyberattacks against Iran's nuclear enrichment facilities. The operation was code-named Olympic Games, and while it began inside the Pentagon under President George W. Bush, it was quickly taken over by the National Security Agency, the largest of the intelligence agencies, under the president's authority to conduct covert action.

As the process of defining the rules of engagement began more than a year ago, one senior administration official emphasized that the United States had restrained its use of cyberweapons. "There are levels of cyberwarfare that are far more aggressive than anything that has been used or recommended to be done," the official said. 

The attacks on Iran illustrated that a nation's infrastructure can be destroyed without bombing it or sending in saboteurs.

While many potential targets are military, a country's power grids, financial systems and communications networks can also be crippled. Even more complex, nonstate actors, like terrorists or criminal groups, can mount attacks, and it is often difficult to tell who is responsible. Some critics have said the cyberthreat is being exaggerated by contractors and consultants who see billions in potential earnings.

One senior American official said that officials quickly determined that the cyberweapons were so powerful that — like nuclear weapons — they should be unleashed only on the direct orders of the commander in chief. 

A possible exception would be in cases of narrowly targeted tactical strikes by the military, like turning off an air defense system during a conventional strike against an adversary.

"There are very, very few instances in cyberoperations in which the decision will be made at a level below the president," the official said. That means the administration has ruled out the use of "automatic" retaliation if a cyberattack on America's infrastructure is detected, even if the virus is traveling at network speeds.

 While the rules have been in development for more than two years, they are coming out at a time of greatly increased cyberattacks on American companies and critical infrastructure. The Department of Homeland Security recently announced that an American power station, which it did not name, was crippled for weeks by cyberattacks. The New York Times reported last week that it had been struck, for more than four months, by a cyberattack emanating from China. The Wall Street Journal and The Washington Post have reported similar attacks on their systems.

 "While this is all described in neutral terms — what are we going to do about cyberattacks — the underlying question is, 'What are we going to do about China?' " said Richard Falkenrath, a senior fellow at the Council on Foreign Relations. "There's a lot of signaling going on between the two countries on this subject."

International law allows any nation to defend itself from threats, and the United States has applied that concept to conduct pre-emptive attacks.

Pre-emption always has been a disputed legal concept. Most recently former Mr. Bush made it a central justification for the invasion of Iraq in 2003, based on faulty intelligence about that country's weapons of mass destruction. Pre-emption in the context of cyberwar raises a potentially bigger quandary, because a country hit by a pre-emptive cyberstrike could easily claim that it was innocent, undermining the justification for the attack. "It would be very hard to provide evidence to the world that you hit some deadly dangerous computer code," one senior official said.

The implications of pre-emption in cyberwar were specifically analyzed at length in writing the new rules. One major issue involved in the administration's review, according to one official involved, was defining "what constitutes reasonable and proportionate force" in halting or retaliating against a cyberattack.

During the attacks on Iran's facilities, which the United States never acknowledged, Mr. Obama insisted that cyberweapons be targeted narrowly, so that they did not affect hospitals or power supplies. Mr. Obama frequently voiced concerns that America's use of cyberweapons could be used by others as justification for attacks on the United States. The American effort was exposed when the cyberweapon leaked out of the Iranian enrichment center that was attacked, and the "Stuxnet" code replicated millions of times on the Internet. 

 Under the new guidelines, the Pentagon would not be involved in defending against ordinary cyberattacks on American companies or individuals, even though it has the largest array of cybertools. Domestically, that responsibility falls to the Department of Homeland Security, and investigations of cyberattacks or theft are carried out by the F.B.I. 

But the military, barred from actions within the United States without a presidential order, would become involved in cases of a major cyberattack within the United States. To maintain ambiguity in an adversary's mind, officials have kept secret what that threshold would be; so far, Defense Secretary Leon E. Panetta has only described the "red line" in the vaguest of terms — as a "cyber 9/11."

The Obama administration has urged stronger firewalls and other systems to provide a first line of defense, and then "resiliency" in the face of cyberattacks. It failed to get Congress to pass cybersecurity legislation that would have allowed the government to mandate standards. 

A version of this article appeared in print on February 4, 2013, on page A1 of the New York edition with the headline: BROAD POWERS SEEN FOR OBAMA IN CYBERSTRIKES .

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NYT > Home Page: Teen Vogue, a Survivor at 10 Years

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Teen Vogue, a Survivor at 10 Years
Feb 4th 2013, 00:59

Robert Caplin for The New York Times

Amy Astley, the editor in chief of Teen Vogue, said her readers are sophisticated young women interested in the fashion world.

After a long day of classes, homework and college preparation, Susannah Davies, a 17-year-old high school junior, takes a break by flipping through her print copy of Teen Vogue, the fashion magazine she has subscribed to since the sixth grade.

According to fourth-quarter data from the Publisher's Information Bureau, Teen Vogue's advertising pages rose by 8.3 percent compared with the same period the year before.

She reads articles on topics like how to handle "crazy, poofy" hair, how to pair denim vests with leggings and leather boots, and the stress of applying to college. She enters contests to win clothes and rips out photos of models to make collages to hang in her room and post on Instagram.

"Teen Vogue really hits the spot of what teenagers are concerned about," Ms. Davies said. "I look to be inspired."

As Teen Vogue releases its 10th anniversary March issue just in time for Fashion Week, it is celebrating not just a milestone, but readers like Ms. Davies, who have remained loyal during a decade when other, often well-financed teenage magazines largely disappeared.

The few magazines left are trying to draw from a pool of teenage readers who grew up devouring media digitally and whose appetite for celebrity news has shifted their attention away from conventional teenage titles.

Like many magazines, Teen Vogue, published by Condé Nast, has weathered shrinking newsstand sales, which are half what they were when the magazine began. It also remains behind Seventeen, which has double the circulation, and according to the youth research firm TRU, is the most read magazine and most visited Web site for teenagers.

But Teen Vogue has established a following among fashion-conscious teenagers eager to study what brands the Obama daughters are wearing and to collect the magazine's covers, which feature the likes of the boy band One Direction. These readers are providing the magazine solid profits in an otherwise declining magazine market.

According to fourth-quarter data from the Publisher's Information Bureau, Teen Vogue's advertising pages rose by 8.3 percent compared with the same period the year before. Its pages are filled with fashion advertisers as economically diverse as Louis Vuitton and Aeropostale. During the same time, Vogue's advertising pages rose by only 0.3 percent and magazines over all saw advertising pages decline by 7.2 percent.

Over the last decade, Teen Vogue has outlasted YM, Elle Girl, Teen People, Cosmo Girl! and Teen, which all folded. While Teen Vogue's total circulation remains down from its peak of 1.5 million in 2005, according to Alliance for Audited Media, it has hovered at slightly over one million for the last five years. Magazine industry experts say that's notable because its editors are catering to a readership with a narrow age range that outgrows the magazine every few years.

"It's always been such a volatile market because your audience morphs so rapidly," said John Harrington, an industry consultant.

Teen Vogue was introduced when many magazine publishers were trying to appeal to the children of baby boomers entering their teen years.

Anna Wintour, the editor in chief of Vogue, had been inspired by her own teenage daughter's take on fashion and asked Amy Astley, the magazine's beauty director at the time, to design some test issues of a teenage version of Vogue.

Ms. Astley, the mother of daughters ages 10 and 13, became the editor in chief of the new magazine, and learned early on that Teen Vogue attracted what she described as "an audience of sophisticated young women who wanted to see fashion presented in a way not seen in other magazines."

Ms. Astley said she was quickly flooded with questions on what she described as "evergreen issues" — like trying to be perfect, sibling rivalries and critical mothers. She also realized how much her readers wanted to connect with the brand and how much information they wanted about how to break into the fashion industry.

Media files:
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